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The long quotation from Dante's Inferno that prefaces T. S. Eliot's "The Love Song of J. Alfred Prufrock" is part of a speech by one of the damned in Dante's Hell. The epigraph to E. L. Doctorow's Ragtime quotes Scott Joplin's instructions to those who play his music, "Do not play this piece fast. It is never right to play ragtime fast."
A proverb [or proverbial phrase] is usually defined, an instructive sentence, or common and pithy saying, in which more is generally designed than expressed, famous for its peculiarity or elegance, and therefore adopted by the learned as well as the vulgar, by which it is distinguished from counterfeits which want such authority
The technique involves writing a stream of consciousness on a horizontal piece of paper and connecting any similar or linked thoughts. This exercise is intended to help a writer suffering from writer's block to bypass the analytical or critical functioning of their brain and access the creative functioning more directly, stimulating the flow of ...
Apophasis (/ ə ˈ p ɒ f ə s ɪ s /; from Ancient Greek ἀπόφασις (apóphasis), from ἀπόφημι (apóphemi) 'to say no') [1] [2] is a rhetorical device wherein the speaker or writer brings up a subject by either denying it, or denying that it should be brought up. [3] Accordingly, it can be seen as a rhetorical relative of irony ...
In addition to writing in different forms (poetry, books, repetition of one word), hypergraphia patients differ in the complexity of their writings. While some writers (e.g. Alice Flaherty [ 4 ] and Dyane Harwood [ 5 ] ) use their hypergraphia to help them write extensive papers and books, most patients do not write things of substance.
Adianoeta – a phrase carrying two meanings: an obvious meaning and a second, more subtle and ingenious one (more commonly known as double entendre). Alliteration – the use of a series of two or more words beginning with the same letter. Amphiboly – a sentence that may be interpreted in more than one way due to ambiguous structure.
Boursinos usually enjoyed being the face of Earthcore, but it was Darvall who represented the organization at the coronial inquest. “It was tragic,” he says. “The really difficult part is ...
If a writer of prose knows enough of what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water.