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Allegorical Painting of Two Ladies. Allegorical Painting of Two Ladies, English School is a 17th-century allegorical painting by an unknown artist, and dated from the 1650s. . For its period, the painting is considered unusual in its depiction of a black woman and a white woman sitting side by si
Scholarly discussions of Victorian women's sexual promiscuity was embodied in legislation (Contagious Diseases Acts) and medical discourse and institutions (London Lock Hospital and Asylum). [7] The rights and privileges of Victorian women were limited, and both single and married women had to live with heterogeneous hardships and disadvantages.
For women, the styles of hats changed over time and were designed to match their outfits. During the early Victorian decades, voluminous skirts held up with crinolines, and then hoop skirts, were the focal point of the silhouette. To enhance the style without distracting from it, hats were modest in size and design, straw and fabric bonnets ...
The portrait of the woman was lost when Picasso painted over it, probably a few months afterward, in 1901 to depict his sculptor friend Mateu Fernández de Soto sitting at a table in hues of blues ...
Is the woman seen peering out the window of this 19th-century property a ghost from the Victorian era?
A fainting room was a private room, common in the Victorian era, which typically contained fainting couches. Such couches or sofas typically had an arm on one side only to permit easy access to a reclining position, similar to its cousin the chaise longue , although the sofa style most typically featured a back at one end (usually the side with ...
Hidden mother photography is a genre of photography common in the Victorian era in which young children were photographed with their mother present but hidden in the photograph. It arose from the need to keep children still while the photograph was taken due to the long exposure times of early cameras .
The picture shows a woman facing left and playing a virginal. In the left foreground is a viola da gamba holding a bow between its strings. [2] A landscape is painted on the inside lid of the virginal, and the painting on the wall is either the original or a copy of The Procuress by Dirck van Baburen (c. 1622, now in the Museum of Fine Arts in Boston), which belonged to Vermeer's mother-in-law ...