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Pere Ubu is an American rock group formed in Cleveland, Ohio, in 1975.The band had a variety of long-term and recurring band members, with singer David Thomas being the only member staying throughout the band's lifetime.
[12] The Spin Alternative Record Guide called Song of the Bailing Man "more of a bouncy pop record, though Thomas is as gone as ever." [ 7 ] In its review of the Architecture of Language 1979-1982 boxset, The Quietus wrote that "Tony Maimone's basslines play a bigger part on this record, making this LP more overtly poppy sounding than its ...
20 Years in a Montana Missile Solo is the sixteenth studio album by American band Pere Ubu.It was released on September 29, 2017, through Cherry Red Records.The album was dedicated to Paul Hamann, the engineer owner of Suma Recording Studio, who died on September 14, 2017.
390° of Simulated Stereo is a live album featuring recordings from Pere Ubu's first few years of existence. [ 4 ] [ 5 ] In general, the recordings featured are lo-fi in nature. The album was out of print for decades, but was reissued for Record Store Day 2021.
It should only contain pages that are Pere Ubu songs or lists of Pere Ubu songs, as well as subcategories containing those things (themselves set categories). Topics about Pere Ubu songs in general should be placed in relevant topic categories .
The album contains live renditions of one non-album track; one from the first Pere Ubu album, The Modern Dance (incidentally a version of this track, ‘Street Waves’, also appears on 390° of Simulated Stereo); six songs from Dub Housing; one from New Picnic Time and four from The Art of Walking.
Pennsylvania is an album by the American band Pere Ubu, released in 1998. [6] [7] The album marked Tom Herman's return to Pere Ubu's studio work after a twenty-year absence. [5] It is a loose concept album about geography, travel, and road trips. [8] [9] Guitarist Wayne Kramer joined the band's tour in support of the album. [10]
Worlds in Collision is the eighth album by American rock group Pere Ubu.The album continues in the shift away from their more experimental early work to emphasize the relatively conventional pop found on their previous studio album, Cloudland.