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"Help!" is a song by the English rock band the Beatles that served as the title song for the 1965 film and the band's accompanying soundtrack album. It was released as a single in July 1965, and was number one for three weeks in the United States and the United Kingdom.
Help! is the fifth studio album by the English rock band the Beatles and the soundtrack to their film of the same name.It was released on 6 August 1965 by Parlophone.Seven of the fourteen songs, including the singles "Help!" and "Ticket to Ride", appeared in the film and take up the first side of the vinyl album.
"You Like Me Too Much" is a song by the English rock band the Beatles. It was written by George Harrison, the group's lead guitarist, and released in August 1965 on the Help! album, except in North America, where it appeared on Beatles VI. [2] The band recorded the track on 17 February that year at EMI Studios in London. [2]
"Cry Baby Cry" is a song by the English rock band the Beatles from their 1968 double album The Beatles (also known as the "White Album"). It was written by John Lennon [ 1 ] and credited to the Lennon–McCartney partnership.
"The Beatles' Movie Medley" is a compilation of snippets from various Beatles songs. The single peaked at No. 12 on the Billboard Hot 100, and No. 10 on the British charts in 1982. The songs were chosen from the Beatles' films, A Hard Day's Night, Help!, Magical Mystery Tour, Yellow Submarine and Let It Be.
"Tell Me What You See" is a song by the English rock band the Beatles that first appeared in 1965 on their album Help! in the United Kingdom and on Beatles VI in the United States. The song is credited to Lennon–McCartney but mainly written by Paul McCartney. Regarding the song's authorship, McCartney said, "I seem to remember it as mine.
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A simple twelve-bar blues number extended into fourteen-bars, [10] the song uses only the chords I, IV and V. [9] One of the few Beatles songs to feature a simple verse form, [11] musicologist Alan W. Pollack suggests that, in the context of the Beatles' 1965 compositions, its simple format is stylistically regressive. [9]