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Second, even as the idea of a Southeast Asia was being conceived, the inclusion of the Philippines in the region was consistently in debate because of its very different cultural makeup. Setting those two objections aside, Philippine folk literature would be considered a subset of the folklore of peninsular Southeast Asia, which includes the ...
From 1593 to 1800, most literature in the Philippines consisted of Spanish-language religious works; examples are Doctrina Christiana (1593) [255] and a Tagalog rendition of the Pasyon (1704). [256] Colonial literature was also written in native languages, primarily religious and governmental works promoting colonialism. [ 252 ]
The level of poetry in the Philippines had also risen, with poet Jose Garcia Villa making impacts in poetry history for introducing the style of comma poetry and the "reversed consonance rhyme scheme". [4] The American occupation and colonization of the Philippines led to the rise of "free verse" poetry, prose, and other genres.
For example, this does not include artwork visible inside a museum, or installed in any other indoor public space. Note that Philippine copyright law does not provide freedom of panorama for copyrighted public art, and therefore several images may be missing from this list.
The United Nations Educational, Scientific and Cultural Organisation (UNESCO) intangible cultural heritage elements are the non-physical traditions and practices performed by a people.
Lucio Diestro San Pedro, Sr. (February 11, 1913 – March 31, 2002) was a Filipino composer and teacher who was proclaimed a National Artist of the Philippines for Music in 1991. [3] Today, he is remembered for his contribution to the development of Filipino regional band music [ 4 ] and for his well-known compositions such as the Filipino ...
Ramón Pagayon Santos (born 25 February 1941) is a Filipino composer, ethnomusicologist, and educator known for being the Philippines' foremost living exponent of contemporary Filipino classical music, [1] [2] for work that expounds on "the aesthetic frameworks of Philippine and Southeast Asian artistic traditions," [2] and for finding new uses of indigenous Philippine instruments.
In 1901, he wrote his first composition, "Ang Unang Buko" and dedicated it to his grandmother. In 1902, Nicanor's uncle, the painter Juan Abelardo, took him to Manila to attend several schools. During this time Nicanor became the favorites among the haranistas who admired him of his skill at such a young age.