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Paul Jones (born Paul Adrian Pond, 24 February 1942) [1] is an English singer, actor, harmonicist, radio personality and television presenter. He first came to prominence as the original lead singer and harmonicist of the rock band Manfred Mann (1962–66) with whom he had several hit records including "Do Wah Diddy Diddy" (UK #1, US #1) and "Pretty Flamingo" (UK #1).
Fiona Hendley (born 1959) is a British actress and latterly Christian speaker, married to the former Manfred Mann singer and actor Paul Jones. Career. Stage
Manfred Mann with Dave Berry, 1967. Manfred Mann – keyboards, backing vocals (October 1962–June 1969) Mike Hugg – drums, vibes, keyboards (October 1962–June 1969) Paul Jones – vocals, hand percussion, harmonica (March 1963–July 1966) Mike Vickers – guitar, alto saxophone, flute, backing vocals (October 1962–October 1965)
Manfred Sepse Lubowitz [7] (born 21 October 1940), known professionally as Manfred Mann, is a South African-born musician, residing in the UK since 1961. He is best known as a founding member of the bands Manfred Mann , Manfred Mann Chapter Three and Manfred Mann's Earth Band .
D'Abo's first big hit with Manfred Mann was "Semi-Detached Suburban Mr James". [2] It was nearly recorded with "Mr Jones" in the title before it occurred to the group that it might be interpreted as a reference to Paul Jones. D'Abo then helped record Manfred Mann's As Is album (with the attaching single of the Bob Dylan-penned "Just Like a Woman").
Pursuing a career in jazz, he met the pianist Manfred Mann while working as a musician at Butlin's Clacton, and they formed a seven-piece group. The Mann–Hugg Blues Brothers recruited Paul Jones and later Tom McGuinness. [3] Upon their signing with His Master's Voice, their producer, John Burgess, changed their name to Manfred Mann.
The country legend made a powerful statement, according to his wife, Nancy Sepulvado.
Following a stint in the short-lived Roosters with Eric Clapton, McGuinness joined the 1960s group Manfred Mann as a bassist, performing in a line-up with Paul Jones.As the band sought to transform itself from jazz into a rhythm-and-blues-orientated group, he took over bass duties from Dave Richmond and received joint songwriting credits on the group's early hits.