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The first waltz theme is a familiar gently rising triad motif played by cellos and horns in the tonic (D major), accompanied by the harp; the Viennese waltz beat is accentuated at the end of each 3-note phrase. The Waltz 1A triumphantly ends its rounds of the motif, and waltz 1B follows in the same key; the genial mood is still apparent.
Fudd returns briefly to introduce the second segment, Strauss's "The Blue Danube" waltz. Young Daffy Duck attempts to join three cygnets (baby swans) who follow their mother swan, all gracefully paddling around in waltz time; the mother consistently violently rebuffs the "ugly duckling" because he looks and sounds so different from her own brood.
The spaceship approaching the space station, floating, as if in an interstellar dance, to the strains of Strauss' “The Blue Danube Waltz,” remains the meme of film.
Of the encores, the unannounced first encore is often a fast polka. The second is Johann Strauss II's waltz "The Blue Danube", whose introduction is interrupted by light applause of recognition and a New Year's greeting in German (originally added by Willi Boskovsky) from the conductor and orchestra to the audience. The origin of this tradition ...
Strauss came to the United States in 1872, where he took part in the World's Peace Jubilee and International Musical Festival in Boston at the invitation of bandmaster Patrick Gilmore and was the lead conductor in a "Monster Concert" of over 1000 performers [15] performing his "Blue Danube" waltz. He also conducted other pieces of his at the ...
The early repertoire of the Sinfonia was drawn from standard classical repertoire (such as "The Blue Danube" waltz and Also sprach Zarathustra), so that most orchestra members had a rough idea of what the piece should sound like, even if they could not play their chosen instrument accurately. In later years, the group's repertoire would expand ...
The Strauss Dynasty (German: Die Strauß-Dynastie) is an Austrian biographical film in six parts from 1991. It depicts the careers of Johann Strauss (father), the composer of the Radetzky March, and his son Johann Strauss (son) ("Schani"), the composer of the waltz The Blue Danube, who, despite his father's resistance, also became a musician and competed with his father as a waltz composer.
Cziffra is known for his recordings of works of Franz Liszt, Frédéric Chopin and Robert Schumann, and also for his technically demanding arrangements or paraphrases of several orchestral works for the piano, including Nikolai Rimsky-Korsakov's Flight of the Bumblebee and Johann Strauss II's The Blue Danube. [2]
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