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"To Autumn" is a poem by English Romantic poet John Keats (31 October 1795 – 23 February 1821). The work was composed on 19 September 1819 and published in 1820 in a volume of Keats's poetry that included Lamia and The Eve of St. Agnes .
Keats, Listening to a Nightingale on Hampstead Heath by Joseph Severn. Like many of Keats's odes, "Ode on a Grecian Urn" discusses art and art's audience. He relied on depictions of natural music in earlier poems, and works such as "Ode to a Nightingale" appeal to auditory sensations while ignoring the visual.
His brother's financial woes continued to loom over him, and, as a result, Keats had little energy or inclination for composition, but, on 19 September 1819, he managed to compose To Autumn, his last major work and the one that rang the curtain down on his career as a poet.
To Autumn" is a poem by English Romantic poet John Keats. The work was composed on 19 September 1819 and published in 1820 in a volume of Keats's poetry that included Lamia and The Eve of St. Agnes. "To Autumn" is the final work in a group of poems known as Keats's "1819 odes".
John Keats (31 October 1795 – 23 February 1821) was an English poet of the second generation of Romantic poets, along with Lord Byron and Percy Bysshe Shelley.His poems had been in publication for less than four years when he died of tuberculosis at the age of 25.
Lamia" is a narrative poem written by the English poet John Keats, which first appeared in the volume Lamia, Isabella, the Eve of St Agnes and Other Poems, published in July 1820. [1] The poem was written in 1819, during the famously productive period that produced his 1819 odes .
Tiger Woods had 199 yards to the hole. Woods asked to confirm the yardage and heard 99 — caddies often drop the first number when it's obvious. “I heard 99 yards, so I went out there and hit ...
"Negative capability" is the capacity of artists to pursue ideals of beauty, perfection and sublimity even when it leads them into intellectual confusion and uncertainty, as opposed to a preference for philosophical certainty over artistic beauty. The term, first used by John Keats in 1817, has been subsequently used by poets, philosophers and literary theorists to describe the ability to ...