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Prokofiev Piano Sonata No 1 in F minor, Opus 1 (1908). Video - Prokofiev Piano Sonata No 1/score (08:04). This page was last edited on 21 January 2024, at 12:26 ...
Piano Sonata No. 6 in A major, Op. 82 (1939–40) Piano Sonata No. 7 in B ♭ major Stalingrad, Op. 83 (1939–42) Piano Sonata No. 8 in B ♭ major, Op. 84 (1939–44) Piano Sonata No. 9 in C major, Op. 103 (1947) Piano Sonata No. 5 in C major (revised version), Op. 135 (1952–53) Piano Sonata No. 10 in E minor, Op. 137 (unfinished) (1952 ...
Sergei Prokofiev's Piano Sonata No. 10 in E minor, Op. 137 (1952) (unfinished) is a sonata composed for solo piano. [1] Movements.
Piano Sonata No. 10 (Prokofiev) This page was last edited on 11 March 2024, at 01:10 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4. ...
Nissman made history in 1989 by becoming the first pianist to perform the complete piano sonatas of Sergei Prokofiev in a series of three recitals in both New York and London, and premiered the two-page fragment of Prokofiev's Piano Sonata No. 10 in E minor, Op. 137 (1952) during her Prokofiev series at Lincoln Center.
Prokofiev and Myaskovsky worked together at the conservatory on at least one work, a lost symphony, parts of which were later scavenged to provide material for the slow movement of Prokofiev's Piano Sonata No. 4. They both later produced works using materials from this period—in Prokofiev's case the Third and Fourth piano sonatas; in ...
Violin Sonata No. 1, Op. 80 (Prokofiev): Scores at the International Music Score Library Project; Recording of Violin Sonata No. 1, Sergei Ostrovsky (violin), Ido Bar-Shai (piano) (Wayback Machine archive). on YouTube, Oistrakh, Oborin (1946) on YouTube, Live recording from Wigmore Hall, Lana Trotovšek (violin), Maria Canyigueral (piano)
Prokofiev completed the sonata on September 27, 1947 in the Moscow suburb of Nikolina Gora [], although thematic sketches exist from the mid-1940s. [2] Upon introducing the score to its dedicatee, the composer said that he did not think the music was intended to create an effect, and that it was "not the sort of work to raise the roof of the Grand Hall [of the Moscow Conservatory]."