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A typical representation of the comedy and tragedy masks The comedy and tragedy masks are a pair of masks, one crying and one laughing, that have widely come to represent the performing arts . Originating in the theatre of ancient Greece , the masks were said to help audience members far from the stage to understand what emotions the characters ...
The masks are frequently identifiable by the pierced ear lobes and prominent mouth, which is normally carved as if the mouth is open. The masks can also be identified by the asymmetrical hair design: the mask is left bare of hair on one side to mimic how a New Ireland man would shave his head to show that he was in mourning.
A mask is an object normally worn on the face, typically for protection, disguise, performance, or entertainment, and often employed for rituals and rites. Masks have been used since antiquity for both ceremonial and practical purposes, as well as in the performing arts and for entertainment. They are usually worn on the face, although they may ...
A Spanish observer at the wedding of Mary I of England and Philip of Spain in 1554 mentioned that women in London wore masks, antifaces, or veils when walking outside. [5] [6] Masks became more common in England in the 1570s, leading Emanuel van Meteren to write that "ladies of distinction have lately learned to cover their faces with silken masks and vizards and feathers".
Therian may refer to: In taxonomy, a member of the mammalian subclass Theria , consisting of marsupial and placental mammals Therianthropy (disambiguation) , the mythological ability or affliction of individuals to metamorphose into animals or hybrids by means of shapeshifting
Often strips of raffia, which are pieces of fiber from the raffia palm, are attached to the mask. The white color of these masks is associated with things like the spirits of ancestors, death, and male virility or manhood. [2] Most Ngil masks are an oval shape featuring a broad forehead with an elongated chin and nose.
Transformation masks are complex, intricately built masks designed to depict the dual nature of mythological beings. The Kwakwaka'wakw carried this art to its highest form. [ 15 ] The masks are used in dances, where the dancer may "open" the mask via a series of strings in order to reveal a second figure, usually a "human" mask concealed within ...
Chhau masks are made by artists from the Sutradhar community. The making of a mask goes through various stages. 8–10 layers of soft paper, immersed in diluted glue, are pasted one after another on the mould before the mud mould is dusted with fine ash powder. The facial features are made of clay.