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In January 1996, Radiohead surpassed the UK chart performance of "Creep" with the Bends single "Street Spirit", which reached number five. [60] This, alongside the critical success of The Bends, established that Radiohead were not one-hit wonders. [8] [61] [62] Over the following years, Radiohead departed further from the style of "Creep". [20]
As part of its 2007 list of the "500 Greatest Lost Tracks", Q included "Lurgee" and "Blow Out" in a list of 20 essential lesser-known Radiohead songs. [85] In 2006, Classic Rock and Metal Hammer named Pablo Honey one of the 20 greatest albums of 1993. [86] In 2008, Blender ranked it 82nd in its list of "100 Albums You Must Own". [87]
Radiohead's first album, Pablo Honey (1993), preceded by their breakthrough single "Creep", [4] features a sound reminiscent of alternative rock bands such as the Pixies and Nirvana. [5] [6] The Bends (1995) marked a move toward "anthemic rock", [5] with more cryptic lyrics about social and global topics, and elements of Britpop.
[1] [2] Their debut single, "Creep", remains their most successful, entering the top 10 in several countries. Their second album, The Bends, released in March 1995, reached number four in the UK and is certified triple platinum. [1] Radiohead's third album, OK Computer, was released in May 1997. It remains their most successful album, reaching ...
Though Radiohead wrote "The Bends" in 1992, [59] before "Creep" was released in September of that year, [60] commentators interpreted the title as a comment on the success of "Creep"; [57] [58] others have commented that the song, particularly the line "I want to be part of the human race", feels like a sequel to "Creep", continuing the similar ...
The Bends combines guitar songs and ballads, with more restrained arrangements and cryptic lyrics than Radiohead's debut album, Pablo Honey (1993). Work began at RAK Studios, London, in February 1994. Tensions were high, with pressure from Parlophone to match sales of Radiohead's debut single, "Creep", and progress was slow.
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Radiohead wrote it in response to the request from their record label, EMI, to record a single to repeat the success of "Creep". [11] The caustic lyrics use an iron lung as a metaphor for the way "Creep" had both sustained and constrained them: "This is our new song / Just like the last one / A total waste of time / My iron lung". [12]