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The pattern is unique, given that - unlike other flatware patterns - it has fifteen different fruit-and-flower clusters. Each handle bears one of these detailed designs. [2] It has been claimed that the design idea came from one of the many tableware patterns of the Italian silver manufacturer Cesa 1882. [citation needed]
Pfaltzgraff is known for their stoneware collections and has released many patterns, some of the most popular including Folk Art, Yorktowne, Village, and America patterns. Pieces of the collection are identified by a Pfaltzgraff stamp on the bottom or back of the dishes.
Its Fairfax flatware was for some years the best-selling pattern in the United States. Other of the company's patterns included Bead, Chatham, Chrysanthemum, Cromwell, Dauphin, English Rose, Essex, Fairfax, Hunt Club, Iris, Lenox, Louis XV, Madame Royale, Marechal Niel, New Vintage, Orange Blossom, Sheaf of Wheat, Victorian/Sheraton, and Watteau.
The new company, Wallace Brothers, produced silver-plated flatware on a base of stainless steel. (By 1879, Wallace Brothers was merged with R. Wallace and Sons Mfg. Co.) In 1875, Wallace introduced the first three sterling patterns to feature the esteemed Wallace name - Hawthorne, The Crown, and St. Leon.
Over the years, Towle has created numerous sterling silver flatware patterns in the United States: including the "Candlelight" in 1934, the "Marie Louise" in 1939, which became the official sterling silver pattern for U.S. embassies worldwide, "Old Master" in 1942, now considered by some to be the company's flagship pattern, and the "Contour ...
Rogers – together with his two brothers and, later, his son – was responsible for more than 100 patterns of silver and silver-plated cutlery and serving dishes. Many of Roger's designs were influenced by Louis XIV -style patterns of the 17th and 18th century in France, and he was best known for his Elberon pattern and "Presidential" cutlery ...
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