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Unlike the Sisyphus usually presented in mythology, Camus considers that "one must imagine Sisyphus happy". Sisyphus finds happiness in the accomplishment of the task he undertakes and not in the meaning of this task. Sisyphus teaches the higher fidelity that negates the gods and raises rocks. He too concludes that all is well.
Sisyphus was the founder and first king of Ephyra (supposedly the original name of Corinth). [8] According to Pausanias, Sisyphus, as king, founded the Isthmian games in honour of Melicertes, whose dead body was found washed up along the Isthmus of Corinth, having been carried to shore by a dolphin. [13]
Two of Camus's works were published posthumously. The first entitled La mort heureuse (A Happy Death) (1971) is a novel that was written between 1936 and 1938. It features a character named Patrice Mersault, comparable to The Stranger ' s Meursault. There is scholarly debate about the relationship between the two books.
The film begins and ends with quotations from Albert Camus' The Myth of Sisyphus: " The struggle itself to the heights is enough to fill the heart of a man. One must imagine Sisyphus happy ". " At the far end of this sustained effort measured by space without sky and depthless time, the goal is reached ".
In The Myth of Sisyphus, despite his absurd destiny, Sisyphus finds a form of liberation in his incessant work: “one must imagine Sisyphus happy”. With the cycle of love and the “midday thought” (French: la pensée de midi ), the philosophy of the absurd is completed by a principle of measurement and pleasure, close to Epicureanism .
The Sisyphus (/ ˈ s ɪ s ɪ f ə s /; Greek: Σίσυφος) is purported to be one of the dialogues of Plato. The dialogue is extant and was included in the Stephanus edition published in Geneva in 1578. It is now generally acknowledged to be spurious. The work probably dates from the fourth century BCE, and the author was presumably a pupil ...
The play was later the subject of numerous revisions. It is part of what Camus called the "Cycle of the Absurd", together with the novel The Stranger (1942) and the essay The Myth of Sisyphus (1942). [2] A number of critics have reported the piece to be existentialist, though Camus always denied belonging to this philosophy. [3]
Amor fati is a Latin phrase that may be translated as "love of fate" or "love of one's fate".It is used to describe an attitude in which one sees everything that happens in one's life, including suffering and loss, as good or, at the very least, necessary.