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An African Song or Chant from Barbados is a one-page manuscript of a work song sung by enslaved Africans in the sugar cane fields of the Caribbean. [1] Dating from the late 18th century, it is the earliest known such song. [2] It is also the oldest notation of a piece of music from Barbados. [3]
The American folk song, "Ellie Rhee", (or "Carry me back to Tennessee" written in 1865 by Septimus Winner (1827–1902), is widely considered to have influenced the South African song. Sweet Ellie Rhee, so dear to me Is lost forever more Our home was down in Tennessee Before this cruel war [4] Then carry me back to Tennessee Back where I long to be
South Africa, where the song comes from, uses only some of the words, Zambia uses only the tune and other countries have now abandoned its use. [2] "Mungu ibariki Afrika" was inspired by the African National Congress's (ANC) use of "Nkosi Sikelel' iAfrika" ("God Bless Africa") as its party song after its use at Ohlange High School. The ANC ...
The lyrics of the song vary, as do the transcriptions. In the older traditional styles, the words translate to "train from Rhodesia". [1] Such is the version heard in the movie The Gods Must Be Crazy and as sung by Pete Seeger in his album We Shall Overcome. Here is one example:
Daar kom die Alibama" (in English: "There comes the Alibama") is a traditional Afrikaans song [1] and Cape jazz song. [2] According to some sources, the song's history dates back to about 1863, and it originally referred to the warship, the CSS Alabama. [3] [4] The English name, Alabama, was respelt in the Cape Dutch vernacular to Alibama.
In September 1973, the National Assembly passed the National Anthem Act, which legally defined the English lyrics of "Stand and Sing of Zambia, Proud and Free" as the national anthem of Zambia. The Act also made it an offence to "insult or bring into contempt or ridicule" the anthem and granted the President of Zambia the rights to prescribe ...
Boom Shaka, a prominent South African kwaito group, formed the anthem in kwaito style, a popular South African genre influenced by house music. The interpretation was controversial, and it was viewed by some as a commercial subversion of the anthem; Boom Shaka countered by stating that their version represents liberation and introduces the song ...
' The Voice of South Africa '), also known as "The Call of South Africa" or simply "Die Stem" (Afrikaans: [di ˈstɛm]), was the national anthem of South Africa during the apartheid era. There are two versions of the song, one in English and the other in Afrikaans , which were in use early on in the Union of South Africa alongside God Save the ...