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Grace Avery VanderWaal [2] (born January 15, 2004) [1] is an American singer-songwriter and actress. [3] She is known for her distinctive voice and has often accompanied herself on the ukulele.
Ultimate Guitar (Ultimate Guitar USA LLC), also known as Ultimate-Guitar.com or simply UG, is an online platform for guitarists and musicians, started on October 9, 1998 by Eugeny Naidenov [1] and based in San Francisco, US.
A chord is inverted when the bass note is not the root note. Chord inversion is especially simple in M3 tuning. Chords are inverted simply by raising one or two notes by three strings; each raised note is played with the same finger as the original note. Inverted major and minor chords can be played on two frets in M3 tuning.
The chord notation N.C. indicates the musician should play no chord. The duration of this symbol follows the same rules as a regular chord symbol. This is used by composers and songwriters to indicate that the chord-playing musicians (guitar, keyboard, etc.) and the bass player should stop accompanying for the length covered by the "No Chord ...
The Chords were one of the early acts to be signed to Cat Records, a subsidiary label of Atlantic Records. [2] Their debut single was a doo-wop version of a Patti Page song "Cross Over the Bridge", and the record label reluctantly allowed a number penned by the Chords on the B-side. [3]
Ukulele Songs is the second solo studio album by American singer and Pearl Jam frontman Eddie Vedder. It was released on May 31, 2011. [ 1 ] The album is composed of original songs and new arrangements of several standards.
The Rip Chords were an early-1960s American vocal group, originally known as the Opposites, composed of Ernie Bringas and Phil Stewart. [1] The group eventually expanded into four primary voices, adding Columbia producer Terry Melcher and co-producer Bruce Johnston (best known as a member of the Beach Boys ).
Cash Box called "Rock and Roll Girls" a "pure rock celebration" and said that "Fogerty’s lead vocal is classic." [8] Rolling Stone Magazine critic Kurt Loder praised "Rock and Roll Girls" as "a rather spectacular demonstration of what can still be done with three shitty chords and a blazing sax.” [9] The Age critic Mike Daily described it as having "the breezy appeal of a Buddy Holly song."