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Mary looks forward to God transforming the world through the Messiah. The proud will be brought low, and the humble will be lifted up; the hungry will be fed, and the rich will go without (Luke 1:51–53). Mary exalts God because He has been faithful to His promise to Abraham (Luke 1:54–55; see God's promise to Abraham in Gen 12:1–3). [11]
At Lauds, the "Canticle of Zachary" (Luke 1:68-79), commonly referred to as the Benedictus. At Vespers, the "Canticle of Mary" (Luke 1:46-55), commonly known as the Magnificat. At Compline, the "Canticle of Simeon" (Luke 2:29-32), commonly referred to as the Nunc dimittis. This usage is also followed by Lutheran churches.
The Magnificat; Prayer of Mary the Theotokos (Luke 1:46–55) The Song of the Vineyard: A Canticle of Isaiah (Isaiah 5:1–7) Prayer of Hezekiah (Isaiah 38:10–20) Prayer of Manasseh, King of Judah when he was held captive in Babylon (ref. in 2 Chronicles 33:11–13 and appears also as a separate deuterocanonical book) Nunc dimittis; Prayer of ...
Lengthy passages of the New Testament are prayers or canticles (see also the Book of Odes), such as the prayer for forgiveness (Mark 11:25–26), the Lord's Prayer, the Magnificat (Luke 1:46–55), the Benedictus (Luke 1:68–79), Jesus' prayer to the one true God , exclamations such as, "Praise be to the God and Father of our Lord Jesus Christ ...
The Magnificat follows – the canticle of the Blessed Virgin Mary from the Luke 1:46–55 – the key daily canticle of Vespers. Like the psalmody, the Magnificat is always preceded by an antiphon, and followed by the Gloria and the repeated antiphon. While singing the Magnificat the altar may be incensed, followed by the ministers and the people.
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Verses 2 and 3 are the same vocal four-part setting, verse 2 for choir 1, verse 3 for choir 3. Similarly, verses 4 and 5 are set for soprano, first soprano 1, then soprano 2. Verses 1 to 5 are all followed by the same ritornello for five instruments. Verse 7 is the same choral setting as verse 1, followed by Amen. [51]
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