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Some of the first powered loudspeakers were JBL monitor speakers. With the addition of the SE401 Stereo Energizer, introduced in 1964, any pair of monitor speakers could be converted to self-powered operation with the second speaker powered by the first. [8] The first studio monitor with an active crossover was the OY invented 1967 by Klein-Hummel.
No speaker, monitor or hi-fi sound system, regardless of the design principle or cost, has a completely flat frequency response; all speakers color the sound to some degree. Monitor speakers are assumed to be as free as possible from coloration. While no rigid distinction exists between consumer speakers and studio monitors, manufacturers ...
The simplest monitor systems consist of a single monitor speaker for the lead vocalist which amplifies their singing voice so that they can hear it clearly. In a large club where rock bands play, the monitor system may use racks of power amplifiers and four to six monitor speakers to provide 500 to 1000 watts of power to the monitor speakers.
The Yamaha NS-10 studio monitor, identifiable by its horizontal lettering and distinctive white cone. The Yamaha NS-10 is a loudspeaker that became a standard nearfield studio monitor in the music industry among rock and pop recording engineers. Launched in 1978, the NS-10 started life as a bookshelf speaker destined for the domestic environment.
A number of manufacturers produce powered monitor speakers, which contain an integrated amplifier. Using monitor speakers instead of in-ear monitors typically results in an increase of stage volume, which can lead to more feedback issues and progressive hearing damage for the performers in front of them. [13]
The LS3/5A (each element pronounced separately, without the stroke) is a small studio monitor loudspeaker originated by the BBC for use by outside broadcast vans to ensure quality of their broadcasts. The speaker concept set out transparent and natural sound as the goal, and the achievement of the result is widely acknowledged.