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The ancient Tamil music is the historical predecessor of the Carnatic music during the Sangam period spanning from 500 BCE to 200 CE. [1] Many poems of the classical Sangam literature were set to music. There are various references to this ancient musical tradition found in the ancient Sangam books such as Ettuthokai and Pattupattu.
The tradition of Tamil music goes back to the earliest period of Tamil history. Many poems of the Sangam literature, the classical Tamil literature of the early common era, were set to music. There are various references to this ancient musical tradition found in the ancient Sangam books such as Ettuthokai and Pathupattu.
The poem was dedicated to king Prahattan from north India, and to teach him principles of Tamil poetry. [10] It has significant details about clothing, jewelry, mountain farmers guarding their crops from elephants and other wildlife, weapons chieftains carried, musical instruments, warrior god Murugan, priests making their evening devotions ...
PaN (Tamil: பண்) is the melodic mode used by the Tamil people in their music since the ancient times. The ancient pans over centuries evolved first into a pentatonic scale. But from the earliest times, Tamil Music is heptatonic and known as ēḻisai (ஏழிசை).
Nataraja gained special significance and became a symbol of royalty in Tamil Nadu. The dancing Shiva became a part of Chola era processions and religious festivals, a practice that continued thereafter. [55] The depiction was informed of cosmic or metaphysical connotations is also argued on the basis of the testimony of the hymns of Tamil ...
South India in Sangam Period. In Old Tamil language, the term Tamilakam (Tamiḻakam, Purananuru 168. 18) referred to the whole of the ancient Tamil-speaking area, [web 1] corresponding roughly to the area known as southern India today, consisting of the territories of the present-day Indian states of Tamil Nadu, Kerala, parts of Andhra Pradesh and Karnataka.
Sundarar (Tamil: சுந்தரர், romanized: Cuntarar), also referred to as Chuntarar, Chuntaramurtti, Nampi Aruran or Tampiran Tolan, was an eighth-century poet-saint of Tamil Shaiva Siddhanta tradition of Hinduism. He is among the Tevaram trio, and one of the most prominent Nayanars, the Shaiva bhakti (devotional) poets of Tamil Nadu ...
Ancient Tamil grammatical works Tholkappiyam, the ten anthologies Pattuppāṭṭu, the eight anthologies Eṭṭuttokai sheds light on early ancient Dravidian religion. Seyyon (Also known as Murugan ) was glorified as "the red god seated on the blue peacock, who is ever young and resplendent", as "the favored god of the Tamils". [ 47 ]