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The most basic style is the Traditional reed (also known as the "Blue Box" reed), which is very similar to the Traditional clarinet reed. It features a thin tip and a strong heart. Although the Traditional reed is seen as a "classical" saxophone reed, it is extremely versatile and is used by many saxophonists in a variety of musical styles.
The pitch of the framed free reed is fixed. The ancient bullroarer is an unframed free reed made of a stone or wood board tied to a rope that is swung around through the air to make a whistling sound. Another primitive unframed free-reed instrument is the leaf (the bilu), used in some traditional Chinese music ensembles. A leaf or long blade of ...
A free reed aerophone is a musical instrument that produces sound as air flows past a vibrating reed in a frame. Air pressure is typically generated by breath or with a bellows [ 1 ] . In the Hornbostel–Sachs system, it is number: 412.13 (a member of interruptive free aerophones).
Hanson Clarinet Company B♭, A Howarth of London B♭, A: A (joints & barrels only) Jupiter Band Instruments B♭ B♭ Leblanc (a division of The Selmer Company) B♭ E♭ B♭ EE♭ BB♭ Leitner & Kraus E♭, D: C, B♭, A: B♭, A: F B♭ Orsi Instrument Company: G, A♭ (on request) E♭ C, B♭, A, G
The Martinshorn (also known as the Martin's trumpet and Schalmei) is a German free reed aerophone created in 1880 by Max Bernhardt Martin, who was also the main manufacturer of the instruments. [1] The Martinshorn contains several reeds, each of which having its own horn. [2] The instrument was created in imitation of the saxhorn. [3]
It can be heard in Toru Takemitsu's Vers, l'arc-en-ciel, Palma (1984), but its most famous modern usage is, perhaps, in Ravel's Boléro (1928), where the oboe d'amore follows the E-flat clarinet to recommence the main theme for the second time. Gustav Mahler employed the instrument once, in Um Mitternacht (1901), one of his five Rückert-Lieder.