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The music of the 2011 video game Minecraft, developed by Mojang Studios, primarily consists of two soundtrack albums by German musician Daniel Rosenfeld, better known as C418. American composer Lena Raine has also contributed music for four major updates to the game since 2020, alongside Aaron Cherof and Kumi Tanioka who worked on the most ...
The simplistic nature of the album's music was caused by the technical limitations of Minecraft ' s sound engine, which made earlier concepts unfeasible. Volume Alpha was released digitally in March 2011 as Rosenfeld's first commercial release, with a physical release issued by record label Ghostly International in 2015.
His discography comprises eight major studio albums, five Bandcamp exclusive studio albums, nine compilation albums, seven EPs, two mixtapes, 11 remixes, seven singles and three music videos. Rosenfeld has also completed a third volume of the Minecraft soundtrack , but citing licensing issues with Microsoft , the album has not been released.
Minecraft – Volume Beta is the fourth soundtrack album by German electronic musician Daniel Rosenfeld, known by his pseudonym C418.It was independently released on 9 November 2013 as the second installment of the soundtrack for the video game Minecraft, and has been physically released by record label Ghostly.
From the deep, quickening heartbeat of “Jaws” to the astral opening blast of “Star Wars,” the music of John Williams not only earns its place among the most iconic film scores of all time ...
The Jaws soundtrack (officially Jaws: Original Motion Picture Soundtrack) is the music composed and conducted by John Williams for Steven Spielberg's 1975 film Jaws.The soundtrack is particularly notable for the 2-note ostinato which represents the shark, a theme so simple that Spielberg initially thought it was a joke by the composer.
Rosenfeld was born in East Germany in 1989. [7] [8] His father was a goldsmith, and his family had a musical background before they pursued other careers. [9]He learned to create music on early versions of Schism Tracker (a popular clone of Impulse Tracker) and Ableton Live in the early 2000s, both rudimentary tools at the time. [10]
The song title comes from the main melody used in the song, which Odden and Parsberg described as a harp or middle eastern instrument. Odden briefly saved the melody as "Superharp", though he disliked the name and changed it to "Harpoon". [2] On 9 May 2018, Swire announced a collaboration between Knife Party and Pegboard Nerds.