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  2. Chromatic scale - Wikipedia

    en.wikipedia.org/wiki/Chromatic_scale

    Chromatic scale drawn as a circle The diatonic scale notes (above) and the non-scale chromatic notes (below) [2] The twelve notes of the octave—all the black and white keys in one octave on the piano—form the chromatic scale. The tones of the chromatic scale (unlike those of the major or minor scale) are all the same distance apart, one ...

  3. Equal temperament - Wikipedia

    en.wikipedia.org/wiki/Equal_temperament

    12 tone equal temperament chromatic scale on C, one full octave ascending, notated only with sharps. Play ascending and descending ⓘ. An equal temperament is a musical temperament or tuning system that approximates just intervals by dividing an octave (or other interval) into steps such that the ratio of the frequencies of any adjacent pair of notes is the same.

  4. 53 equal temperament - Wikipedia

    en.wikipedia.org/wiki/53_equal_temperament

    In music, 53 equal temperament, called 53 TET, 53 EDO, or 53 ET, is the tempered scale derived by dividing the octave into 53 equal steps (equal frequency ratios). Play ⓘ Each step represents a frequency ratio of 2 1 ∕ 53 , or 22.6415 cents ( Play ⓘ ), an interval sometimes called the Holdrian comma .

  5. Omnibus progression - Wikipedia

    en.wikipedia.org/wiki/Omnibus_progression

    The progression has its origins in the various Baroque harmonizations of the descending chromatic fourth in the bass ostinato pattern of passacaglia, known as the "lament bass". [2] However, in its fullest form the omnibus progression involves a descent in the bass which traverses a whole octave and includes every note of the chromatic scale.

  6. Diatonic and chromatic - Wikipedia

    en.wikipedia.org/wiki/Diatonic_and_chromatic

    The diatonic scale notes (above) and the non-scale chromatic notes (below) [13] Medieval theorists defined scales in terms of the Greek tetrachords. The gamut was the series of pitches from which all the Medieval "scales" (or modes , strictly) notionally derive, and it may be thought of as constructed in a certain way from diatonic tetrachords.

  7. Chromaticism - Wikipedia

    en.wikipedia.org/wiki/Chromaticism

    Chromatic fourth: lament bass bassline in Dm (D–C ♯ –C(♮)–B–B ♭ –A) The diatonic scale notes (above) and the non-scale chromatic notes (below) [1] Chromaticism is a compositional technique interspersing the primary diatonic pitches and chords with other pitches of the chromatic scale. In simple terms, within each octave ...