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The first digital delay offered in a pedal was the Boss DD-2 in 1984. Rack-mounted delay units evolved into digital reverb units and on to digital multi-effects units capable of more sophisticated effects than pure delay, such as reverb and audio time stretching and pitch scaling effects.
The DL4 by Line 6, introduced in 1999, is a digital delay pedal. It is one of the first digital modeling effects units. [1] The DL4 features models of 16 vintage delay effects, including the Echoplex, Roland Corporation's Space Echo, and the Electro-Harmonix Deluxe Memory Man. [2] It is also used for looping. [3]
Delay effects: Boss DD-3 Digital Delay, MXR Carbon Copy, Electro-Harmonix Deluxe Memory Man, Line 6 DL4, Roland RE-201. Looper pedal: A looper pedal or "phrase looper" allows a performer to record and later replay a phrase, riff or passage from a song. Loops can be created on the spot during a performance (live looping) or they can be pre-recorded.
In the early '80s, Boss was able to fit the circuitry of its best-selling SDE-3000 digital rack delay into the form factor of its analog DM-2 delay, branded as the DD-2 digital delay. A subsequent drop in component costs allowed the pedal to be sold for a lower price in 1986 as the rebranded DD-3, which has gone through three distinct versions ...
MXR also had a line of professional rackmount effects used by the likes of David Gilmour, [6] Stuart Adamson and Mike Rutherford. The first product introduced was the Digital Delay, which had delay times from 0.08ms to 320ms, but users could purchase additional plug-in memory boards that were user-installable and could increase delay times to ...
Eventide DDL 1745 Digital Delay Line Studio Processor. Eventide Inc. (also known earlier as Eventide Clock Works Inc.) is an American pro audio, broadcast and communications company whose audio division manufactures digital effects processors, digital signal processor (DSP) software, and guitar effects pedals.