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Charcoal (Mac OS 9 system font) Designer: David Berlow: Chicago (pre-Mac OS 9 system font, still included with Mac OS X) Designer: Susan Kare: Adobe Clean - Adobe's now standard GUI and icon font Class: Humanist, Spurless : Clear Sans (Intel) Designer: Dan Rhatigan, George Ryan, Robin Nicholas : Clearview Designer: James Montalbano et al. Class ...
This font family has gained fame throughout the 1930s when "Eagle Bold" became a huge hit. This font family is also used by Cartoon Network as its typeface since its founding on October 1, 1992 along with Gotham Bold on most uses such as on merchandising, and as a production and network logo.
Typeface Family Spacing Weights/Styles Target script Included from Can be installed on Example image Aharoni [6]: Sans Serif: Proportional: Bold: Hebrew: XP, Vista
Sans-serif [F] [F] GPL, later SIL OFL 5 fonts. Originally for LaTeX CJK. The Bold Sans-serif has been involved in copyright infringement with Arphic Technology, while the Ming font is found out to be similar to pre-existing font. [32] [33] Nanum Series: Nanum Pen / Nanum Brush. 나눔 손글씨: Korea Distributed by Naver. [F] Open Font License ...
The fonts were originally developed by Steve Matteson as Ascender Sans and Ascender Serif, and were also the basis for the Liberation fonts licensed by Red Hat under another open source license. [2] In July 2012, version 2.0 of the Liberation fonts, based on the Croscore fonts, was released under the SIL Open Font License. [6]
The Triplex type font style is a typeface designed by Zuzana Licko and John Downer in 1985 and 1989. [1] [2] It is distributed by Emigre. It is used by Avex & Prezi for its logo. It was also used as the typeface for Disney Channel from 1997-2002. It has both Sans-serif and Serif variation.
Monotype Grotesque is a large family of fonts, including very bold, condensed and extended designs, created at different times. Monotype offered a sans-serif capital alphabet as its fourth typeface cut; others were developed later.
A humanist sans-serif font family, somewhat similar to Syntax (1968) and Frutiger (1976). It included fonts in 8 weights and 2 widths, with complementary italic fonts. A distinctive figure is the 'Q' with the detached tail, somewhat similar to that on Dwiggins' Metro; an alternate is provided for when this is unsuitable.