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Kintsugi (Japanese: 金継ぎ, lit. 'golden joinery'), also known as kintsukuroi (金繕い, "golden repair"), [1] is the Japanese art of repairing broken pottery by mending the areas of breakage with urushi lacquer dusted or mixed with powdered gold, silver, or platinum. The method is similar to the maki-e technique.
The list of Japanese ceramics sites (日本の陶磁器産地一覧, Nihon no tōjiki sanchi ichiran) consists of historical and existing pottery kilns in Japan and the Japanese pottery and porcelain ware they primarily produced. The list contains kilns of the post-Heian period.
Ko-Kiyomizu (old Kiyomizu) lidded brazier (te-aburi) with paulownia and geometric design, stoneware with overglaze enamels and gold, Edo period, 18th century. Kiyomizu ware (清水焼, Kiyomizu-yaki) is a type of Kyō ware traditionally from Gojōzaka district near Kiyomizu Temple, in Kyoto. The history of Kiyomizu ware dates back to the ...
Yūri-kinsai (釉裏金彩) is a gold leaf-application technique used in Japanese pottery and porcelain. It forms a transparent overglaze on gilded porcelain. [1] Yūri-kinsai is a complicated under look technique. It uses two kinds of gold leaf that consists of one thick and one thin layer.
Mashiko ware (益子焼, Mashiko-yaki) is a type of Japanese pottery traditionally made in Mashiko, Tochigi. Early pottery in Mashiko dates back to the Jōmon and Yayoi periods . Mashikoyaki is often thought of as simple and rustic in style, with brown and maybe a little red glaze , but modern pottery made in Mashiko today is found in many ...
The Japanese definition for the period of prehistory characterized by the use of pottery is Jōmon (縄文, lit. cord-patterned) and refers to the entire period (c. 10,500 to 300 BC). [18] Pottery techniques reached their apogee during the Middle Jōmon period with the emergence of fire-flame pottery created by sculpting and carving coils of ...