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Arpeggios are an important part of jazz improvisation. On guitar, sweep-picking is a technique used for rapid arpeggiation, which is most often found in rock music and heavy metal music . Along with scales , arpeggios are a form of basic technical exercise that students use to develop intonation and technique.
arpeggio, arpeggiato played like a harp (i.e. the notes of the chords are to be played quickly one after another instead of simultaneously); in music for piano, this is sometimes a solution in playing a wide-ranging chord whose notes cannot be played otherwise; arpeggios are frequently used as an accompaniment; see also broken chord articulato
The arpeggione is a six-stringed musical instrument fretted and tuned like a guitar, but with a curved bridge so it can be bowed like a cello, and thus similar to the bass viola da gamba.
Rhythm guitarists who use arpeggios often favor semi-acoustic guitars and twelve string guitars to get a bright, undistorted "jangly" sound. The Soukous band TPOK Jazz additionally featured the unique role of mi-solo, (meaning "half solo") guitarist, playing arpeggio patterns and filling a role "between" the lead and rhythm guitars. [3]
The chord-scale system may be compared with other common methods of improvisation, first, the older traditional chord tone/chord arpeggio method, and where one scale on one root note is used throughout all chords in a progression (for example the blues scale on A for all chords of the blues progression: A 7 E 7 D 7).
Phrasing is a very important part of jazz players' set of improvisational skills. Instead of just playing a sequence of scale and chord notes that would work based on the chords, harmony, etc., the player builds an idea based on a melodic motif or a rhythmic motif. The player in effect extemporizes a new melody for a tune's chord progression.
Excerpt from the beginning of Étude Op. 10, No. 11. Étude Op. 10, No. 11, in E ♭ major, is a technical study composed by Frédéric Chopin.It is sometimes known as the "Arpeggio" or "Guitar" Étude.
Arpeggios are revealed in two octaves. The starting note of an ascending arpeggio is either a note on the 6th string or a note on the 5th string, each voicing spanning five strings. The arpeggiated voicing is equivalent to the closed voicing on the piano. There is a close relationship between Wayne's chord system and his arpeggio forms.