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The sociology of art is a subfield of sociology that explores the societal dimensions of art and aesthetics. [ 1 ] Scholars who have written on the sociology of art include Pierre Bourdieu , Vera Zolberg, Howard S. Becker , Arnold Hauser , and Harrison White .
The work of Theodor Lipps, a Munich-based research psychologist, played an important role in the early development of the concept of art psychology in the early decade of the twentieth century. [citation needed] His most important contribution in this respect was his attempt to theorize the question of Einfuehlung or "empathy", a term that was ...
Pure sociology explains social life with its social geometry. [9] Social life refers to any instance of human behavior—such as law, suicide, gossip, or art — while the social geometry of a behavior, also called its social structure, refers to the social characteristics of those involved—such as their degree of past interaction or their level of wealth.
Conceptual art is art wherein the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic and material concerns. [25] The inception of the term in the 1960s referred to a strict and focused practice of idea-based art that defied traditional visual criteria associated with the visual arts in its presentation as text ...
Sarah L. Thornton (born 1965) is a writer, ethnographer and sociologist of culture. [1] Thornton has authored four books and many articles about artists, the art market, bodies, people, culture, technology and design, the history of music technology, dance clubs, raves, cultural hierarchies, subcultures, [2] and ethnographic research methods.
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Visual sociology also requires the development of new forms—for example, data driven computer graphics to represent complex relationships e.g., changing social networks over time, the primitive accumulation of capital, the flow of labor, relations between theory and practice.
In psychology of art, the relationship between art and emotion has newly been the subject of extensive study thanks to the intervention of esteemed art historian Alexander Nemerov. Emotional or aesthetic responses to art have previously been viewed as basic stimulus response, but new theories and research have suggested that these experiences ...