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Pachelbel's Canon (also known as the Canon in D, P 37) is an accompanied canon by the German Baroque composer Johann Pachelbel. The canon was originally scored for three violins and basso continuo and paired with a gigue, known as Canon and Gigue for 3 violins and basso continuo. Both movements are in the key of D major.
Johann Pachelbel's Canon in D major, written in the mid-Baroque period and revived from obscurity in the 1960s, has been credited with inspiring pop songs. Some pop songs borrow its chord progression, bass line, or melodic structure, a phenomenon attributed to the memorability and simplicity of the work.
Was probably a tough ask to begin with. I've been doing some research on Pachelbel (for a separate topic) and scholarship on him is scattered and super disorganized; the canon is also virtually ignored. Aza24 (talk) 03:17, 16 December 2023 (UTC) "from the Canon's violin melody" makes it sound like they took the whole 4 minute melody.
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Johann Pachelbel [n 1] (also Bachelbel; baptised 11 September [O.S. 1 September] 1653 [n 2] – buried 9 March 1706) was a German composer, organist, and teacher who brought the south German organ schools to their peak.
Magnificat fugue primi toni No. 15 (D minor) 272: 116: 297: 166 Magnificat fugue primi toni No. 16 (D minor) 273: 117: 298: 167 Magnificat fugue primi toni No. 17 (D minor) 274: 118: 299: 168 Magnificat fugue primi toni No. 18 (D minor) 275: 119-169 Magnificat fugue primi toni No. 19 (D minor) 276: 120: 300: 170 Magnificat fugue primi toni No ...
In addition to Sagisu's original compositions, the soundtrack also includes classical music, [29] such as Johann Sebastian Bach's Suite for Cello Solo No.1 in G Major, [30] Violin Partita No.3, Suite No. 3 in D Major [31] [32] and Herz und Mund und Tat und Leben, [33] [34] Johann Pachelbel's Canon, [35] [36] Georg Friedrich Händel's Messiah ...
English: Wolfgang Saus sings two melodies at the same time: bass & soprano of Pachelbel's Canon simultaneously. It's a short demonstration of polyphonic overtone singing skills (sometimes referred to as throat singing) used in special new classical compositions.