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An Experiment on a Bird in the Air Pump, by Joseph Wright, 1768, National Gallery, London. Joseph Wright was born in Irongate, Derby, to a respectable family of lawyers.He was the third of five children of Hannah Brookes (1700–1764) and John Wright (1697–1767), an attorney and the town clerk of Derby.
An Experiment on a Bird in the Air Pump is a 1768 oil-on-canvas painting by Joseph Wright of Derby, one of a number of candlelit scenes that Wright painted during the 1760s. The painting departed from convention of the time by depicting a scientific subject in the reverential manner formerly reserved for scenes of historical or religious ...
Portal:History of science/Picture/10 . An Experiment on a Bird in the Air Pump is a 1768 oil-on-canvas painting by Joseph Wright of Derby which depicts a recreation of one of Robert Boyle's air pump experiments. It shows the reactions of a group of onlookers to an experiment performed by a natural philosopher in which a bird is deprived of oxygen.
The post 30 Famous Paintings And Their Real-Life Locations By ‘The Cultural Tutor’ first appeared on Bored Panda. ... Canaletto's Piazza San Marco, Venice, was a popular example of that ...
The painting is an example of a history painting, but as West had done in the past with works such as in his 1770 The Death of General Wolfe, he strays from the truth and embellishes many elements for added dramatic effect. Franklin was in his forties and with his son when he conducted the experiment, but West paints him with white hair and ...
It is now in the Derby Museum and Art Gallery [1] The painting preceded his similar An Experiment on a Bird in the Air Pump (National Gallery, London). The first of Wright's candlelit masterpieces, Three Persons Viewing the Gladiator by Candlelight, was painted in 1765, and showed three men studying a small copy of the "Borghese Gladiator".
Pasteur's portrait by Edelfelt is the best-known portrait of the French chemist Louis Pasteur.Painted by Albert Edelfelt (1854–1905) in 1885 the painting shows Pasteur in his laboratory at the rue d'Ulm, surrounded by his experimental apparatus, the innovative laboratory glassware used in the experimental methods, developed by him on the field of bacteriology in the late 19th century. [1]
The painting represents an imaginary scene of a contemporary scientific demonstration, based on real life, and depicts the eminent French neurologist Jean-Martin Charcot (1825–1893) delivering a clinical lecture and demonstration at the Pitié-Salpêtrière Hospital in Paris (the room in which these demonstrations took place no longer exists at the Salpêtrière).