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Story is a sequence of events, which can be true or fictitious, that appear in prose, verse or script, designed to amuse or inform an audience. [1] Story structure is a way to organize the story's elements into a recognizable sequence. It has been shown to influence how the brain organizes information. [2]
[5] Beryl Bainbridge, Richard Adams, Ronald Harwood, and John Bayley also spoke positively of the work, while philosopher Roger Scruton described it as a "brilliant summary of story-telling". [6] Others have dismissed the book on grounds that Booker is too rigid in fitting works of art to the plot types above.
A plot summary is a brief description of a piece of literature that explains what happens. In a plot summary, the author and title of the book should be referred to and it is usually no more than a paragraph long while summarizing the main points of the story. [40] [41]
A plot summary is not a recap. It should not cover every scene or every moment of a story. A summary is not meant to reproduce the experience of reading or watching the work. In fact, readers might be here because they didn't understand the original. Just repeating what they have already seen or read is unlikely to help them.
The dramatistic pentad forms the core structure of dramatism, a method for examining motivations that the renowned literary critic Kenneth Burke developed. Dramatism recommends the use of a metalinguistic approach to stories about human action that investigates the roles and uses of five rhetorical elements common to all narratives, each of which is related to a question.
Peter Selgin refers to methods, including action, dialogue, thoughts, summary, scene, and description. While dialogue is the element that brings a story and its characters to life on the page, and narrative gives the story its depth and substance, action creates the movement within a story. Writing a story means weaving all of the elements of ...
This discipline examines story construction and its effect on human consciousness. [3] Narratology perceives stories as sense-making mechanisms, [4] which allow citizens to understand history, [4] morality, [4] and contemporary social structures. [4] Narratives appear in artistic media, [3] like novels and films, and discursive exchanges ...
The Kwik Kwak (also called as crick crack) structure involves three elements: the narrator, the protagonist, and the audience. [1] The story itself is considered a performance so there is a synergy among the aforementioned elements. [1] In the story, the narrator may draw attention to the narrative or to himself as storyteller. [2]