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The Death of Actaeon is a late work by the Italian Renaissance painter Titian, painted in oil on canvas from about 1559 to his death in 1576 and now in the National Gallery in London. It is very probably one of the two paintings the artist stated he had started and hopes to finish (one of which he calls " Actaeon mauled by hounds ") in a letter ...
Around 1560, [37] Titian painted the oil on canvas Madonna and Child with Saints Luke and Catherine of Alexandria, a derivative on the motif of Madonna and Child. It is suggested that members of Titian's Venice workshop probably painted the curtain and Luke, because of the lower quality of those parts. [38] Pietà, c. 1576, his last painting.
The Pietà is an oil on canvas painting, one of the last paintings by Titian, from 1575-1576.In its final, extended state it was left incomplete at his death, in 1576, to be completed by Palma Giovane.
The Flaying of Marsyas is a painting by the Italian late Renaissance artist Titian, probably painted between about 1570 and his death in 1576, when in his eighties.It is now in the Archbishop's Palace in Kroměříž, Czech Republic and belongs to the Archbishopric of Olomouc (administered by Olomouc Museum of Art – Archdiocesan Museum).
Diana and Actaeon is a large painting by the Italian Renaissance painter Titian, finished in 1556–1559, and is considered amongst Titian's greatest works.It portrays the moment in which the hunter Actaeon comes across the goddess Diana and her nymphs as they are bathing.
The Death of Actaeon: c. 1559–1575: 178.4 × 198.1 cm: National Gallery (London) Salome: c. 1560: 87 × 80 cm: Museo del Prado (Madrid) Girl with a Platter of Fruit: c. 1558 102 x 82 cm Gemäldegalerie (Berlin) Venus and Adonis - many different versions, with varying contributions by Titian himself. See ones in the Prado and New York above.
The Assassination of Saint Peter Martyr was a 1528-1529 altarpiece in oils by Titian, originally painted on panel and later transferred to canvas. It was "destroyed by an Austrian shell", [ 1 ] or the resulting fire at Santi Giovanni e Paolo, Venice in 1867, though a 1691 copy by Johann Carl Loth hangs in its place.
Portrait of Doge Andrea Gritti is an oil painting by the Venetian master Titian, painted in the late 1540s, which is part of the collection of the National Gallery of Art in Washington, D.C. It is a portrait of Andrea Gritti, who was doge of Venice from 1523 to his death in 1538.