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As his tears ripple in the water, she abruptly leaves. Augmented harmonies and lyrical, flowing counterpoint in the accompaniment again imitate the brook and add to the nocturne atmosphere. The form is primarily strophic, with a shadowy coda in the parallel minor as the Maiden takes her leave.
Her first novel, Ripples in the Pool (1975), appeared as number 203 in the Heinemann African Writers Series. Her earliest works appeared under the name "Rebecca Njau", and she had also published using the pseudonym "Marina Gashe".
In the 1948 poem “The Pickerel Pond: A Double Pastoral.” Edmund Wilson used the amphisbaenic rhyme to symbolize the mirror reflection of the pond’s environment. [3] The lake lies with never a ripple, A lymph to lave sores from a leper: The sand white as salt in an air That has filtered the tamed every ray; Below limpid water, those lissome
The Rime of the Ancient Mariner (originally The Rime of the Ancyent Marinere), written by English poet Samuel Taylor Coleridge in 1797–98 and published in 1798 in the first edition of Lyrical Ballads, is a poem that recounts the experiences of a sailor who has returned from a long sea voyage.
Linguoid ripples generate an angle to the flow as well as downstream. Linguoid ripples have a random shape rather than a "W" shape, as described in the catenary description. Lunate ripples, meaning crescent shaped ripples, are exactly like linguoid ripples except that the stoss sides are curved rather than the lee slope. All other features are ...
Ripple on Stagnant Water (traditional Chinese: 死水微瀾; simplified Chinese: 死水微澜), also translated as Ripples Across Stagnant Water, and Ripples on Dead Water, is a novel by Li Jieren. It was first published in 1935. [1] An updated version appeared in 1955. [2]
A diagram of the Ripple effect illustrating how the "Weinstein Scandal" led all the way to the rise of the Me Too movement.A ripple effect occurs when an initial disturbance to a system propagates outward to disturb an increasingly larger portion of the system, like ripples expanding across the water when an object is dropped into it.
The poem is notable for its two strings of similes. [6] In the first string, the poet compares each part of the lute to different parts of the female body. [3] For example, the surface of the lute is described as "fair belly of the pregnant woman" and the overall appearance of the musical instrument is described as "bedecked bride".