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Print shows Maud Muller, John Greenleaf Whittier's heroine in the poem of the same name, leaning on her hay rake, gazing into the distance. Behind her, an ox cart, and in the distance, the village "Maud Muller" is a poem from 1856 written by John Greenleaf Whittier (1807–1892). It is about a beautiful maid named Maud Muller.
Alfred, Lord Tennyson "Tears, Idle Tears" is a lyric poem written in 1847 by Alfred, Lord Tennyson (1809–1892), the Victorian-era English poet. Published as one of the "songs" in his The Princess (1847), it is regarded for the quality of its lyrics.
“The sun stopped shining for me is all. The whole story is: I am sad. I am sad all the time and the sadness is so heavy that I can’t get away from it. Not ever.” ― Nina LaCour, “Hold ...
"But we coped with the sadness, and we wait for death from one moment to the next." [95] — Mohammad Jawad al Jaza'iri, Iraqi cleric, one of the ringleaders of the anti-British uprising in Najaf (May 1918); final lines of poem written prior to his execution "Don't bother with me. Take care of my good men." [96]
Red Rose, proud Rose, sad Rose of all my days! Come near me, while I sing the ancient ways: Cuchulain battling with the bitter tide; The Druid, grey, wood-nurtured, quiet eyed, Who cast round Fergus dreams, and ruin untold; And thine own sadness, whereof stars, grown old In dancing silver-sandalled on the sea, Sing in their high and lonely melody.
Sergei Alexandrovich Yesenin [a] (Russian: Сергей Александрович Есенин, IPA: [sʲɪrˈɡʲej ɐlʲɪkˈsandrəvʲɪtɕ jɪˈsʲenʲɪn]; 3 October [O.S. 21 September] 1895 – 28 December 1925), sometimes spelled as Esenin, was a Russian lyric poet.
"Hearst Magazines and Yahoo may earn commission or revenue on some items through these links." Sometimes, when you’re feeling low, the only way to cheer yourself up is to sulk.Yes, sulk.Rot ...
When Coleridge's Poems on Various Subjects was reviewed, few reviewers paid attention to Lines Written at Shurton Bars. [15] John Aikin, in the June 1796 Monthly Review, states, "The most of [the 'poetical Epistles'], addressed to his 'Sara', is rather an ode, filled with picturesque imagery: of which the follow stanzas [lines 36–60] compose a very striking sea-piece". [16]