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Lenses produced for 35 mm film cameras may mount well on the digital bodies, but the larger image circle of the 35 mm system lens allows unwanted light into the camera body, and the smaller size of the image sensor compared to 35 mm film format results in cropping of the image. This latter effect is known as field-of-view crop.
However, this specification is insufficient to compare lenses for different cameras, because field of view also depends on sensor size. For example, a 50 mm lens mounted on a Nikon D3 (a full-frame camera) provides approximately the same field of view as a 32 mm lens mounted on a Sony α100 (an APS-C camera).
On any 35 mm film camera, a 28 mm lens is a wide-angle lens, and a 200 mm lens is a long-focus lens. Because digital cameras have mostly replaced film cameras and the image sensor size that also determines the angle of view is not standardized as the film size was, there is no uniform relation between the lens focal length and the angle of view ...
Sensor size Effective megapixels Lens mount Viewfinder coverage Metering zones Focus points Lowest ISO Highest ISO Cont. shtg LCD size Live view Movie mode Memory card Dimensions (mm) Weight (g) [1] Announced (date) Ref. Canon: 5D Mark IV: Full frame: 30.1 EF 100 252 61 50 102400 7 3.2 yes yes CF+SD: 150.7×116.4×75.9 890 Aug 2016: Canon: 1D X ...
For example, a 28 mm lens is a wide angle lens on a traditional 35 mm camera. But the same lens on an APS-C camera, with a lens factor of 1.6× (relative to a standard full-frame 35 mm format camera), has the same angle of view as a 45 mm (28 mm × 1.6 lens factor) lens on a 35 mm camera—i.e. a normal lens. [20]
For example, a 28 mm lens delivers a moderately wide-angle FOV on a 35 mm format full-frame camera, but on a camera with a 1.6 crop factor, an image made with the same lens will have the same field of view that a full-frame camera would make with a ~45 mm lens (28 × 1.6 = 44.8). This narrowing of the FOV is a disadvantage to photographers when ...