Ad
related to: 16mm ib technicolor film stock
Search results
Results From The WOW.Com Content Network
Agfa Wittner-Chrome, Aviphot-Chrome or Agfachrome reversal stocks (rated at 200 ISO, made from Wittner-Chrome 35mm still film) are available in 16mm and 8mm from Wittner-Cinetec in Germany or Spectra Film and Video in the United States. The Agfa label was also used in widely produced East German film stocks based on Agfa patents before the ...
16 mm sound movie showing a variable-width sound track on single-perforation film stock. 16 mm film is a historically popular and economical gauge of film. 16 mm refers to the width of the film (about 2 ⁄ 3 inch); other common film gauges include 8 mm and 35 mm. It is generally used for non-theatrical (e.g., industrial, educational ...
The two prints, made on film stock half the thickness of regular film, were then cemented together back to back to create a projection print. The Toll of the Sea, which debuted on November 26, 1922, used Process 2 and was the first general-release film in Technicolor. A frame enlargement of a Technicolor segment from The Phantom of the Opera ...
Kodachrome and Technicolor Monopack. These were the same positive cine stock marketed as 'Kodachrome Commercial' in 16mm and, by an agreement between Eastman Kodak and Technicolor, as ‘Technicolor Monopack’ in 35mm. When all in lowercase, 'monopack' is a generic term.
In 1911 the major American film studios returned to using nitrate stock. [5] More amateur formats began to use acetate-based film, and several, including Kodak's own 16 mm format, were designed specifically to be manufactured with safety base. Kodak released Cine Negative Film Type E in 1916 and Type F (later known as Negative Film Par Speed ...
A late modification to the "Monopack Agreement", the "Imbibition Agreement", finally allowed Technicolor to economically manufacture 16mm dye-transfer prints as so-called "double-rank" 35/32mm prints (two 16mm prints on a 35mm base that was originally perforated at the 16mm specification for both halves, and was later re-slit into two 16mm wide ...
Technicolor introduced dye transfer in its Process 3, introduced in the feature film The Viking (1928), which was produced by the Technicolor Corporation and released by Metro-Goldwyn-Mayer. Technicolor's two previous systems were an additive color process and a physically problematic subtractive color process, the latter requiring two prints ...
(A) Human-readable Keykode number (the number to the far right advances by one for each 16 frames of 35 mm film or 20 frames of 16 mm film). Next to that is the same information in USS-128 Barcode machine-readable language. (B) Further down the film (within the 16 frames) is the film identifier information and date symbol (C) Other-use symbols.