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Unlike relaxing forms of classical music, new-age music makes greater use of electronica and non-Western instrumentation. There is some debate on what can be considered "new-age music"; for example several musicians in Celtic music or Smooth jazz have expressed annoyance at being labeled "new-age musicians".
Morning music; 2. Dancing in place; 3. Northern Nigun; 4. Lenny in spats; 5. Tempo di gavotte; 6. Barcarolle; 7. Fuga malinconica; 8. Tarantella; 9. Even music) Suite No. 3, for solo violin (2018) -commissioned by the "International Violin Competition of Indianapolis"- (in 7 movements) Csiky Boldizsár. Passacaglia (Thema with Variations) for ...
Violin Concerto No. 1 in F major, opus 69 (before 1934) Violin Concerto No. 2 in G major, opus 86 (before 1943) Arthur Somervell. Violin Concerto in G minor (1930) Vladimír Sommer. Violin Concerto (1950) Leo Sowerby. Violin Concerto in G major (1913, rev. 1924) Louis Spohr. 15 violin concertos and other works for violin and orchestra; Charles ...
This list of songs or music-related items is incomplete; you can help by adding missing items. (October 2021 This page was last edited ...
Sonata No. 1 for violin and piano (1920 Cleveland) Baal Shem (1923 Cleveland) Poème Mystique, Sonata No. 2 for violin and piano (1924 Cleveland) Nuit Exotique (1924 Cleveland) Abodah (1929 San Francisco) Mélodie (1929 San Francisco) Suite Hébraïque for violin and piano (1951 Agate Beach) Suite No. 1 for violin solo (1958 Agate Beach)
Ambrosian chant – Monophonic liturgical music used in the liturgy of the Ambrosian Rite. Ballade – French poetic-musical form. Ballata – Medieval Italian poetry accompanied by music. Canso – Song of troubadour tradition. Cantiga – Monophonic song of Spanish or Portuguese origin, often about religious themes or courtly love.
Souvenir d'un lieu cher (Memory of a Dear Place or Memory of a Beloved Place, sometimes Souvenir of a Beloved Place; [1] Russian: Воспоминание о дорогом месте), Op. 42, is a set of three pieces for violin and piano, written by Pyotr Ilyich Tchaikovsky in 1878.
The Violin Concerto No. 1 in C major (Hob. viia/1) by Joseph Haydn, fatto per il luigi, was written in the 1760s for a well-known violinist of the time, Luigi Tomasini, who was just back from Italy and soon became the concertmaster of the Esterházy orchestra. [1] None of Haydn's violin concertos exist today in autograph form. [2]