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Kasuti embroidery work on Ravike ca. 1855–1879. Kasuti (Kannada: ಕಸೂತಿ) is a traditional form of folk embroidery practised in the state of Karnataka, India. [1] Kasuti work which is very intricate sometimes involves putting up to 5,000 stitches by hand and is traditionally made on dresswear like Ilkal sarees, Ravike/Kuppasa(Khana ...
Toda embroidery, also locally known as "pukhoor", [1] is an art work among the Toda pastoral people of Nilgiris, in Tamil Nadu, made exclusively by their women. [1] The embroidery, which has a fine finish, appears like a woven cloth [2] but is made with use of red and black threads with a white cotton cloth background.
Embroidery in India includes dozens of embroidery styles that vary by region and clothing styles. Designs in Indian embroidery are formed on the basis of the texture and the design of the fabric and the stitch. The dot and the alternate dot, the circle, the square, the triangle, and permutations and combinations of these constitute the design.
The colourful patterns and designs that are embroidered resulted in the name "Nakshi Kantha," [6] which was derived from the Bengali word "naksha," referring to artistic patterns. [7] Early kanthas had a white background accented with red, blue, and black embroidery; later, yellow, green, pink, and other colours were also included.
Kantha, also spelled kanta or qanta, is a type of embroidery craft in Bangladesh and eastern regions of India, particularly in the Indian states of West Bengal, Tripura and Odisha. In Odisha, old saris are stacked on each other and hand-stitched to make a thin piece of cushion. This is normally used above a bed cushion or instead of a cushion ...
The mochi embroidery style with "chin stitch and parrot circle" patterns influenced their styles. [4] Soof meaning "neat and clean" is made in geometric designs dominated by a "chevron design" known as 'leher' or 'waves' which gives the product a unique pattern which is an innovation. [1] A hanging type of embroidery design
Kasavu is a technique used in handlooms of Kerala, with very fine threads of gold or silver used in weave to make border lines and designs on silk and cotton fabrics. This technique later spread to most of India and the Kasav technique was developed for many other fabrics across India.
Once very simple, they can now be seen with extravagant embroidery, mirror or zari work, and bold colors like black and grey which were once considered inauspicious. There is also a greater diversity of fabrics being used in addition to the usual silk or cotton, including chiffon , georgette , crepe and nylon .