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From mid-2007, performers were granted moral rights in recordings of their performances, similar, but not identical, to the moral rights granted to authors. [29] These were introduced as a result of Australia's ratification of the WIPO Performances and Phonograms Treaty, which was required by the Australia's free trade agreement with Singapore, and the Australia-United States Free Trade Agreement.
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This act extended the original copyright term from 14 years to 28 years (with an option to renew), and changed the copyright formality requirements. [ citation needed ] In 1834, the Supreme Court ruled in Wheaton v.
The history of copyright starts with early privileges and monopolies granted to printers of books. The British Statute of Anne 1710, full title "An Act for the Encouragement of Learning, by vesting the Copies of Printed Books in the Authors or purchasers of such Copies, during the Times therein mentioned", was the first copyright statute ...
Moral rights are concerned with the non-economic rights of a creator. They protect the creator's connection with a work as well as the integrity of the work.
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