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Noise music is a genre of music that is characterised by the expressive use of noise. This type of music tends to challenge the distinction that is made in conventional musical practices between musical and non-musical sound. [4] Noise music includes a wide range of musical styles and sound-based creative practices that feature noise as a ...
In its early development, electronic music was associated almost exclusively with Western art music, but from the late 1960s, the availability of affordable music technology—particularly of synthesizers—meant that music produced using electronic means became increasingly common in the popular domains of rock and pop music and classical ...
While noise music is often nowadays associated with extreme volume and distortion [95] and produced by electronic amplification, the tradition dates back at least to the Futurist Luigi Russolo, [96] who rejected melody, constructed original instruments known as intonarumori and assembled a "noise orchestra" in 1917.
Electronic music broadly is a group of music genres that employ electronic musical instruments, circuitry-based music technology and software, or general-purpose electronics (such as personal computers) in its creation.
Pauline Oliveros – (USA) meditative music, just intonation, reverberant spaces, Expanded Instrument System; Oneohtrix Point Never - (USA) electronic music, ambient music, vaporwave; Yoko Ono – (UK, USA, Japan) happenings; Orange Monkey – (USA) Ortiz Morales – (Spain) Experimental and noise music. Old kinematic synchronisms reconstructions.
Ka-Spel's solo albums range from abstract electronic noise to more traditional pop songs, incorporating diverse elements of psychedelia, industrial, avant garde, experimental electronic, art pop, classical music, folk (nursery songs), sampling, noise, collage, music concrete, etc. [5] His lyrics have been described as mystically bizarre and ...
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The composition is an indispensable contribution to the Modernist movement [37] [38] and formalized noise music as a genre. [39] [40] Noise music is seen as the anathema to the traditional view of harmony in music, exploiting random sound patterns 'noise' in the process of making music—the "detritus of the music process". [41]