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"The Blue Danube" is the common English title of "An der schönen blauen Donau", Op. 314 (German for "By the Beautiful Blue Danube"), a waltz by the Austrian composer Johann Strauss II, composed in 1866.
Adolf Andrey [1] Schulz-Evler (12 December 1852 – 15 May 1905) was a Polish-born composer.. Born in Radom, Poland (at that time part of the Russian Empire), he studied at the Warsaw Conservatory, then under Carl Tausig in Berlin. [2]
Fudd returns briefly to introduce the second segment, Strauss's "The Blue Danube" waltz. Young Daffy Duck attempts to join three cygnets (baby swans) who follow their mother swan, all gracefully paddling around in waltz time; the mother consistently violently rebuffs the "ugly duckling" because he looks and sounds so different from her own brood.
January 2 – The Royal Danish Academy of Music opens in Copenhagen under the direction of Niels Gade. February 15 – First performance of Johann Strauss II's waltz "The Blue Danube" (An der schönen blauen Donau, composed 1866) at a concert of the Vienna Men's Choral Association (Wiener Männergesang-Verein).
A section from Johann Strauss' Waltz from Die Fledermaus. A waltz, [a] probably deriving from German Ländler, is dance music in triple meter, often written in 3 4 time.A waltz typically sounds one chord per measure, and the accompaniment style particularly associated with the waltz is (as seen in the example to the right) to play the root of the chord on the first beat, the upper notes on the ...
2001: A Space Odyssey is a soundtrack album to the film of the same name, released in 1968.The soundtrack is known for its use of many classical and orchestral pieces, and credited for giving many classical pieces resurgences in popularity, such as Johann Strauss II's 1866 Blue Danube Waltz, Richard Strauss' symphonic poem Also sprach Zarathustra, and György Ligeti's Atmosphères.
In autographing a fan for Strauss's wife Adele, Brahms wrote the opening notes of The Blue Danube waltz, adding the words "unfortunately not by Johannes Brahms". [71] He made the effort, three weeks before his death, to attend the premiere of Johann Strauss's operetta Die Göttin der Vernunft (The Goddess of Reason) in March 1897.
Lhévinne made only a few recordings, some of which are considered to be examples of perfect technique and musical elegance. The discs of the Chopin Études Op. 25, Nos. 6 & 11 recorded for RCA Victor in 1935 and Schulz-Evler's arrangement of Johann Strauss II's Blue Danube Waltz, also for Victor in 1928, are legendary among pianists and connoisseurs.