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Soulful house Soulful house is a genre characterised by smooth and soulful vocals, relaxed atmosphere and melodic structure, as well as by influences from soul, jazz and funk. Tracks are distinguished by slower tempos (122 to 127 bpm), keyboards that give a deep sound, similar to the one from chill-out and lounge. House rhythms are often ...
This is a list of artists who have been involved with house music, a genre of electronic dance music. This includes artists who have either been very important to the house music genre or have had a considerable amount of exposure (such as in the case of one who has been on a major label). This list does not include little-known local artists. Groups are listed by the first letter in the group ...
Nuyorican Soul "I Love the Nightlife" With India: KenLou "Bangin'" 1999: Masters at Work "To Be in Love '99" With India; UK #23 "MAW Expensive" As MAW presents a Tribute to Fela, with Ibi Wunmi: 2000 "Brazilian Beat" With Liliana Chachian "Ékabo" MAW Unreleased Mixes: Groove Box "I'm Your Man" 2001: Masters at Work "Lean on Me" With James ...
House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 115–130 beats per minute. [11] It was created by DJs and music producers from Chicago's underground club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat.
Deep house is known for tempos typically from 110 to 125 bpm, [1] [6] [7] muted basslines, spacious use of percussion elements (typically using a Roland TR-909 drum machine), [8] soft keyboard sounds (pads), use of advanced chord structures, ambient mixes, and soulful vocals.
Balearic beat, also known as Balearic house, Balearic, Ibiza house or Ibizan chillout, is an eclectic blend of DJ-led dance music that emerged in the mid-1980s. [ 1 ] [ 2 ] It later became the name of a more specific style [ 3 ] of electronic dance / house music that was popular into the mid-1990s.
"Free" is a song by American recording artist Ultra Naté, released on March 31, 1997, through record label Strictly Rhythm. It was co-written by Naté, Lem Springsteen and John Ciafone, while production was held by both Springsteen and Ciafone.
A Tom Moulton Mix was released in 2006. It was released as a double compact disc and on two double vinyl releases by Soul Jazz Records. [4] [9] John Brugess of The Guardian praised the album, stating that "artists graced with a Tom Moulton mix could expect their concise pop to be turned into an epic drama" and proclaimed that "Moulton had a good sense of when to hold back (Patti Jo's Make Me ...