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Theological aesthetics is the interdisciplinary study of theology and aesthetics, and has been defined as being "concerned with questions about God and issues in theology in the light of and perceived through sense knowledge (sensation, feeling, imagination), through beauty, and the arts". [1]
Aesthetic consideration of the material world comes mainly from the Old Testament. [8] According to Tatarkiewicz, the importation of the Greek concept of kalos into Christian thought during the translation of the Hebrew into the Greek meant that the passage in Genesis, 'And God saw everything that he had made, and behold it was very beautiful,' emphasised the aesthetic qualities of creation. [8]
Subjects prominent in Catholic art other than Jesus and events in the Bible, such as Mary and saints were given much less emphasis or disapproved of in Protestant theology. As a result, in much of northern Europe, the Church virtually ceased to commission figurative art, placing the dictation of content entirely in the hands of the artists and ...
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The right side of the page was sketched in 1508 with black chalk, and is a study of Adam's limp hand, before it is ignited with the gift of life from God, in the Creation of Adam scene. Michelangelo sketched this over a previous brown, lead point stylus study of the vaulted Sistine Chapel ceiling. [ 28 ]
Kierkegaard posited three stages of human existence: the aesthetic, the ethical, and the religious, the latter coming after what is often called the leap of faith. [ citation needed ] Kierkegaard argued that the universe is fundamentally paradoxical , and that its greatest paradox is the transcendent union of God and humans in the person of ...
Some writers distinguish aesthetics from the philosophy of art, claiming that the former is the study of beauty and taste while the latter is the study of works of art. Slater holds that the "full field" of aesthetics is broad, but in a narrow sense it can be limited to the theory of beauty, excluding the philosophy of art. [ 1 ]
In most cases, rich patrons or churches would commission the creation of their own copies of various religious scriptures. These were most commonly complete copies of the Bible or a subsection, such as individual books of the Old Testament, collections of 150 psalms, or collections of the first four books of the New Testament (Anderson 9).