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"King of Pain" is a song by British rock band the Police, released as the second single from their fifth and final studio album Synchronicity (1983). Written by the band's lead singer and bassist Sting as a post-separation song from his wife, "King of Pain" conjures up symbols of pain and relates them to a man's soul.
Stancil, who is from Oakland, California, told Snoop and guest judge Sting during rehearsals he would be singing "Dance With My Father" by Luther Vandross, before sharing the meaning behind his ...
Treatment for stings may include application of hot water, which has been shown to ease pain. [3] [6] Multiple theories as to the mechanism of pain relief from hot water have been suggested. A theory that hot water denatures the stingray venom has been questioned because the temperatures required would need to penetrate deeply into the puncture ...
Alan Light from The Los Angeles Times described "Whenever I Say Your Name" as "a knockout duet," [2] while Entertainment Weekly ' s Tom Sinclair called it a "erotically charged duet" and further wrote: "[Sting] unites the secular and the sacred with the phrase "Whenever I say your name, I’m already praying"."
"Tea in the Sahara" is a song by the British new wave band the Police. Written by Sting, the song appeared on the band's final album, Synchronicity. It was written about the Paul Bowles novel The Sheltering Sky. A live version of "Tea in the Sahara" appeared as the B-side to "King of Pain" in Britain and "Wrapped Around Your Finger" in America.
The song, simply titled “Russians,” was first released as a single from The Dream of the Blue Turtles, his first solo album after breaking away from his band, The Police.
The Soul Cages is a concept album focused on the death of Sting's father. [17] Sting had developed a writer's block shortly after his father's death in 1987; the episode lasted several years, until he was able to overcome his affliction by dealing with the death of his father through music. [18]
The theme of the song is the divide between rich and poor. [3] It was one of the first politically themed songs the Police released, and the first that Sting wrote. [4] [5] [6] Sting was inspired to write the song while on tour in the United States in 1979 after seeing the plight of starving children in Biafra on television.