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Musical instruments of the Indian subcontinent can be broadly classified according to the Hornbostel–Sachs system into four categories: chordophones (string instruments), aerophones (wind instruments), membranophones (drums) and idiophones (non-drum percussion instruments).
Pages in category "Indian musical instruments" The following 147 pages are in this category, out of 147 total. This list may not reflect recent changes. *
String instrument; Other names: Vina [1]: Classification: String instruments: Developed: Veena has applied to stringed instruments in Indian written records since at least 1000 BCE. . Instruments using the name have included forms of arched harp and musical bow, lutes, medieval stick zithers and tube zithers, bowed chordophones, fretless lutes, the Rudra bīn and Sarasvati v
Pages in category "Hindustani musical instruments" The following 21 pages are in this category, out of 21 total. This list may not reflect recent changes. B.
Related instruments include the medieval Iranian rubab, the rubab of Afghanistan, Pakistan and Northern India, the Indian sarod, sursingar and kamaica, the Nepali-Tibetan-Bhutanese tungana, the Pamiri rubab and the Uyghur rawap. The family of instruments blended Persian and Indian cultures, and has been played by Hindus, Buddhists and Muslims.
The South Indian text Silappatikaram, likely composed in the early centuries of 1st millennium CE, describes thirty types of drums along with many stringed and other instruments. These are, however, called pushkara; the name tabla appears in later periods. [22]
Whatever instruments he might have played, no record exists from this period using the name "sitar". [11] An ambiguous statement made in a 19th century work by Captain N. Augustus Willard may have resulted in the incorrect association of the renowned poet Amir Khusrau with a later individual, potentially named Khusrau Khan, who lived during the ...
The Indian harmonium is derived from reed organ designs developed in France. Originally, these were large instruments, designed to be played sitting on a chair, which allowed one to pump the instrument using foot pedals. [4] Over time, Europeans designed smaller harmoniums, like the guide-chant, which included manually pumped bellows. [5]