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This is a list of new-age music artists with articles on Wikipedia. New-age music is broadly defined as relaxing, even "meditative", music that is primarily instrumental. Unlike relaxing forms of classical music, new-age music makes greater use of electronica and non-Western instrumentation.
Saxsquatch began uploading his performances to YouTube in 2019 and gained viral notoriety with his cover of One More Time by Daft Punk. [7] His cover of You Don't Know Me was featured on Tosh.0. [8] By September 2020, he averaged 3–5 million views per day on social media and became one the top solo artists on the Pollstar livestream charts. [9]
The production of the song consists of saxophone and sirens, the style of which has been compared to that of N.E.R.D., [1] [2] providing a mood of high energy. Lyrically, Brockhampton members describe the hardships they have faced; [3] Kevin Abstract proclaims in the chorus, "I've been beat up my whole life / I've been shot down, kicked down twice / Ain't no stoppin' me tonight / I'ma get all ...
Relaxin' at Camarillo is an album by American jazz saxophonist Joe Henderson, recorded in 1979 and released on the Contemporary label. [1] [2] Featuring Henderson with keyboardist Chick Corea, and two rhythm sections-bassist Richard Davis and drummer Tony Williams on two tracks, and bassist Tony Dumas and drummer Peter Erskine on the remaining three.
2017 – Air & Grace – Relaxing Music for Flute with Symbiosis (Compilation) 2017 – Prog Alchemia (Playing The History) 2019 – On the Wings of the Wind by John Hackett and Marco Lo Muscio; 2020 – Wyrd (Ellesmere) 2020 – Common Sense Dancing (Duncan Parsons) 2022 – On Earth, As It Is (Duncan Parsons)
Lush Life (also released as Sweet Slumber) is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1967 and featuring Donaldson with Freddie Hubbard, Garnett Brown, Jerry Dodgion, Wayne Shorter, Pepper Adams, McCoy Tyner, Ron Carter, and Al Harewood performing arrangements by Duke Pearson. [5]
At the time Creston composed his sonata, French composers were leading the development of the classical saxophone. [11] The instrument suffered from a dearth of original concert repertoire: aside from Glazunov's Concerto, Debussy's Rhapsodie and Creston's own Suite, Leesons's recitals of the time were dominated by transcriptions of vocal and string music.
Galgenlieder (Gallows Songs) for Saxophone Quartet and Choir (2014)—Lera Auerbach; Galgenlieder (Gallows Songs) for Saxophone Quartet and Children Choir (2015)—Lera Auerbach; I Saw Eternity for Soprano Saxophone and TTBB Choir (2012)—Paul Mealor; Making or Breaking for Soprano Saxophone and SSAATTBB Choir (2015)—Kim André Arnesen