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Altman studied violin and began his professional career as a violinist with the CBS Radio Orchestra. His first nationally known song was "Play Fiddle Play", which he wrote in the early 1930s for the orchestra leader Emory Deutsch.
To produce a "brighter" tone than the deep tones of gut or synthetic core strings, fiddlers often use steel strings. The fiddle is part of many traditional styles, which are typically aural traditions—taught "by ear" rather than via written music. [3] Fiddling is the act of playing the fiddle, and fiddlers are
In contemporary American fiddle styles, the New England states are heavily influenced by all Celtic styles, including Cape Breton fiddle-playing; whereas Southern or "Dixie" fiddle styles have tended to develop their own traditions, which emphasize double stops and in some instances the incorporation of dance calls or simple lyrics. [2]
Even after his death, Coleman's influence on traditional fiddle playing is substantial. Every generation since has been influenced by his recordings either directly or indirectly. Most notably, he has influenced fiddle players such as James "Lad" O'Beirne, Martin Wynne, Andy McGann, Ben Lennon, Martin Byrnes, Jean "Ti-Jean" Carignan and many ...
At the age of 22, she began playing the fiddle in "self-defense against the banjo". [1] [3] One of the first fiddle tunes Williams played is “Old Molly Hare”, which she got from a Mike Seeger album. When Bill Monroe played Washington State in the early 1960s, he hired Williams to play fiddle for two shows. Monroe said, “I have never heard ...
Benny Edward Martin (May 8, 1928 [1] – March 13, 2001), [2] was an American bluegrass fiddler who invented the eight-string fiddle. Throughout his musical career he performed with artists such as the Bluegrass Boys, Don Reno, the Smoky Mountain Boys and Flatt and Scruggs, and later performed and recorded with the Stanley Brothers, Hylo Brown, Jimmy Martin, Johnnie and Jack, and the Stonemans ...
Percussion came to mind with a fiddle blended in a percussive way, a horn section, and a tap dance blended into the score. “These are all instruments that both are the backdrop of New York in ...
Charles Thomas Bowman (July 30, 1889 – May 20, 1962) was an American old-time fiddle player and string band leader. He was a major influence on the distinctive fiddle sound that helped shape and develop early Country music in the 1920s and 1930s. [2]