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File:Jean-François Millet by Nadar, Metropolitan Museum copy.png - Restoration (PNG) File:Jean-François Millet by Nadar, Metropolitan Museum copy - Original.jpg - Original (JPEG) This is a retouched picture , which means that it has been digitally altered from its original version.
"Jean-François Millet", poem by Florence Earle Coates; Cartwright, Julia, (1902) Jean François Millet: his life and letters London: Swan Sonnenschein and Co. Sensier, Alfred, (1881) Jean-Francois Millet – Peasant and Painter (transl. Helena de Kay) London: Macmillan and Co. Exhibition catalogue, The Drawings of Jean-François Millet, Jill ...
Millet's The Gleaners was preceded by a vertical painting of the image in 1854 and an etching in 1855. Millet unveiled The Gleaners at the Salon in 1857. It immediately drew negative criticism from the middle and upper classes, who viewed the topic with suspicion: one art critic, speaking for other Parisians, perceived in it an alarming intimation of "the scaffolds of 1793."
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Portrait of a Lady, François-André Vincent; Portrait of a Man, Vincent; Most of the paintings taken were small works around a foot (31 cm) along their longest dimension; the three smallest (the Brueghels and Millet's La barrateuse) were less than 80 square inches (520 cm 2), smaller than a standard letter-size piece of paper.
The Angelus (French: L'Angélus) is an oil painting by French painter Jean-François Millet, completed between 1857 and 1859.. The painting depicts two peasants bowing in a field over a basket of potatoes to say a prayer, the Angelus, that together with the ringing of the bell from the church on the horizon marks the end of a day's work.
Jean-François Millet+2 FP category for this image Wikipedia:Featured pictures/People/Artists and writers Creator Nadar, restored by Adam Cuerden. Support as nominator – Adam Cuerden Has about 7.1% of all FPs 02:26, 19 October 2019 (UTC) Support – I have noted some minor things on the file at Commons. This appears to be a rare photograph of ...