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Interventions including music-assisted relaxation and listening to music effectively reduce sleep onset latency for people with insomnia. [14] However, several studies found music to have neither positive nor negative effects on subjective sleep quality for normal individuals. [15] [16]
For me, Sleep is an attempt to see how that space when your conscious mind is on holiday can be a place for music to live." [12] In the album's credits, Richter describes Sleep as an eight-hour lullaby that is meant to be listened to at night. It is scored for piano, cello, two violas, two violins, organ, soprano vocals, synthesizers and ...
The album of solo piano performances by Bergman was recorded in February 2003. [1] There are seven tracks, all of which were composed by Bergman. [1] In "Meditation 2", "a series of four chorded phrases are interchangeably used in repetition against droning figures and minor ninths, sevenths, and thirds, collapsing into one another to move the piece to another level."
"I'm So Tired" is a song by the American punk rock band Fugazi. Released on their 1999 album Instrument Soundtrack, the song is a piano ballad [2] played and sung by vocalist Ian MacKaye, a departure from the band's typical post-hardcore output. Commentators have described the song's lyrics as pertaining to depression and suicidal ideation. [3 ...
"I'm So Tired" is a song by the English rock band the Beatles from their 1968 double album The Beatles (also known as "the White Album"). It was written and sung by John Lennon , though credited to Lennon–McCartney .
Polyphasic sleep is the practice of sleeping during multiple periods over the course of 24 hours, in contrast to monophasic sleep, which is one period of sleep within 24 hours. Biphasic (or diphasic , bifurcated , or bimodal ) sleep refers to two periods, while polyphasic usually means more than two. [ 1 ]
Totuuden helmi (The pearl of truth), Op. 88 (1915) – Music for a fairy tale play by Zachris Topelius in Finnish by Ester Ståhlberg (the prologue), Tyko Hagman, Valter Juva and Viljo Tarkiainen for soloists, choir and chamber orchestra – Published arranged for voice and piano and solo piano.
Silent music (1941), by Raymond Scott (1909–1994) The band was going through all the motions: the swart, longish-haired leader led away; the brasses, the saxophones, the clarinets made a great show of fingering and blowing, but the only sound from the stage was a rhythmic swish-swish from the trap-drummer, a froggy slap-slap from the bull ...