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Successful non-classical baritones display a wide range of vocal qualities and effects that lend a unique character to their voices, many of which are considered undesirable in the operatic or classical baritone singer, such as "breathy" , [3] "distinguished…crooner" , [4] "growling" (Neil Diamond), [5] and even "ragged" (Bruce Springsteen).
Harry Lillis "Bing" Crosby Jr. ... Crosby's vocal style helped take popular singing beyond the ... Bing was more comfortable in a bass range while maintaining a ...
Fancy Meeting You Here is a 1958 RCA Victor studio album of duets by the American singers Bing Crosby and Rosemary Clooney, arranged by Billy May, who also conducted the orchestra. [2] The album was originally issued in both mono and stereo, catalog numbers LPM/LSP 1854.
Feels Good, Feels Right is a 1976 vinyl album recorded by Bing Crosby for Decca Records during four morning sessions in 1976 [1] at Decca Studio No.3, Broadhurst Gardens, London. He was accompanied by Alan Cohen and his Orchestra.
Join Bing & Sing Along is a long-playing vinyl album issued first by RCA Victor (LPM/LSP-2276) [1] and immediately thereafter by Warner Bros. Records (W/WS-1363) [2] in 1960. The album consists of twelve medleys of 33 old songs in a singalong format. Bing Crosby sings on all of the tracks except those marked with an asterisk.
Bing 'n' Basie is a 1972 vinyl album recorded for Daybreak Records by Bing Crosby, accompanied by Count Basie and his Orchestra. [2] The orchestral tracks were laid down over three days at the end of February and the beginning of March, 1972 at Amigo Studios, North Hollywood.
St. Patrick's Day is a compilation album of phonograph records by Bing Crosby released in 1947 featuring songs with an Irish theme. This includes one of Crosby's most-beloved songs, "Too-Ra-Loo-Ra-Loo-Ral" which was number four on the Billboard Hot 100 for 12 weeks, and topped the Australian charts for an entire month, [1] on shellac disc record.
Return to Paradise Islands is a long-playing vinyl album of Hawaiian themed songs recorded by Bing Crosby for Reprise Records (R-6106) at three separate sessions (August 21, October 16, and December 9) in 1963. [1]