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German Expressionism was an artistic movement in the early 20th century that emphasized the artist's inner emotions rather than attempting to replicate reality. [1] German Expressionist films rejected cinematic realism and used visual distortions and hyper-expressive performances to reflect inner conflicts. [2]
Pages in category "German Expressionist films" The following 27 pages are in this category, out of 27 total. This list may not reflect recent changes. A. Algol (film)
This period, between the end of World War I and the advent of the Nazi regime, is considered an early renaissance in world cinema, with many influential and important films being made. The style of many of these films is called German Expressionism. For an alphabetical list of articles on Weimar German films see Category:Films of the Weimar ...
[12] Visually striking sets and makeup were key to the style of the expressionist films that were produced shortly after the First World War. Cinemas themselves began to be established landmarks in the years immediately before World War I. Before this, German filmmakers would tour with their works, travelling from fairground to fairground.
Metropolis is a 1927 German expressionist science-fiction silent film directed by Fritz Lang and written by Thea von Harbou in collaboration with Lang [4] [5] from von Harbou's 1925 novel of the same name (which was intentionally written as a treatment). It stars Gustav Fröhlich, Alfred Abel, Rudolf Klein-Rogge, and Brigitte Helm.
This is a list of the most notable films produced in the German Empire until 1918, in year order. It includes German films from the introduction of the medium to the resignation of the Emperor at the end of World War I. Many of these films laid the groundwork for German Expressionism.
Black-and-white silent horror film The Cabinet of Dr Caligari is considered the quintessential work of German Expressionism, but also one of the scariest films in cinema history. It follows a ...
The Cabinet of Dr. Caligari (German: Das Cabinet des Dr. Caligari) is a 1920 German silent horror film directed by Robert Wiene and written by Hans Janowitz and Carl Mayer.The quintessential work of early German Expressionist cinema, [3] it tells the story of an insane hypnotist (Werner Krauss) who uses a brainwashed somnambulist (Conrad Veidt) to commit murders.