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Noli me tangere (Latin for Don't touch me or Stop touching me) is a c. 1514 painting by Titian of the Noli me tangere episode in St John's Gospel. The painting, depicting Jesus and Mary Magdalene soon after the resurrection, is in oil on canvas and since the nineteenth century has been in the collection of the National Gallery in London.
A religious painting of the same period, that has many similarities in style is the Noli me tangere, probably also of 1514 (National Gallery), in which Titian uses much the same group of buildings as at the left here, but reversed and without the tower.
Noli me Tangere by Antonio da Correggio, c. 1525. Noli me tangere ('touch me not') is the Latin version of a phrase spoken, according to John 20:17, by Jesus to Mary Magdalene when she recognized him after His resurrection. The original Koine Greek phrase is Μή μου ἅπτου (mḗ mou háptou).
Noli me tangere (Correggio) S. Noli me tangere (Sustris) T. Noli me tangere (Titian) This page was last edited on 2 May 2024, at 01:35 (UTC). Text ...
A twice-stolen painting by Italian Renaissance master Titian, which was once found in a plastic bag at a bus stop in London, sold for $22.3 million at auction on Tuesday. “The Rest on the Flight ...
Noli me tangere (Titian) P. Portrait of the Vendramin Family; S. La Schiavona This page was last edited on 8 March 2024, at 12:57 (UTC). Text is available under the ...
National Gallery of Art (Washington, D.C.) Venus and Adonis - many different versions, with varying contributions by Titian himself. See one in the Prado above, and in Rome below. c. 1555: 106 × 133 cm: Metropolitan Museum of Art (New York) Filippo Archinto, Archbishop of Milan: c. 1555: 118 × 94 cm: Metropolitan Museum of Art (New York)
Noli me tangere, also known as Christ Appearing to Mary Magdalene in the Garden, is a c. 1525 [1] painting by Correggio which depicts the noli me tangere interaction between Jesus and Mary Magdalene shortly after the Resurrection. It is currently in the collection of the Museo del Prado in Madrid.